![]() What they did say was simple yet strong enough to change the Constitution: They loved each other, and they’ weren’t bothering anyone. The Lovings ( Joel Edgerton and Ruth Negga, both very good) were hard-working, taciturn country folk. No one here raises his voice, let alone a hand, in anger. “Loving”: If you feel anxious watching “Loving,” about the Virginia couple whose case led to the end of mixed-race marriage bans, that’s because civil rights dramas such as “Selma” and “Mississippi Burning,” have primed you to anticipate violence. San Antonio, NBA fans weigh in on Spurs waiving Primo unexpectedly.Golden Star Cafe celebrates 90th anniversary on San Antonio's Westside.Missing Texas teen's remains identified 36 years after being found.Man charged with stalking Black Rifle Coffee social media influencer in Boerne.13 on list of Top 25 best places to live in U.S. Shams: Joshua Primo allegedly exposed himself to a former Spurs employee.Legendary Austin metal band the Sword calls it quits after 20 years.But it is certainly worth sticking with – even if just for the three, Fleabag-esque final words. Plot points are picked up and dropped narrative arcs lead to nowhere unnecessary characters abound. im high maintenance if theyre married show me every second that led up to it or im sueing. Frances Davenport was born on and is 69 years old.Frances Davenport currently lives in Long Beach, CA in the past Frances has also lived in Carson CA. Rice and Davenport improve hugely once their characters evolve beyond thinly sketched cliches.As is quite often the case in Black Mirror, there is a slight over-abundance of ideas in "Rachel, Jack and Ashley Too". It is an enormous relief – not because those meditations are not worth considering, but because the energy up until now, aside from an explosive, well-wrought argument between Ashley and her aunt, has been strangely subdued.Cyrus, who according to Brooker, took the role to “p**s people off”, is excellent, most evidently when at the two extremes of her performance – desperate and broken, or uninhibited and defiant. What follows becomes less a meditation on the ethics of posthumous profiting and the commodification of vulnerable young stars than a fun, high-concept heist film. “They copied my entire f***ing mind into these things,” she tells the astounded sisters. Suddenly, the “real” Ashley is barking out expletives from the tinny speakers of her robot counterpart. Jack and Rachel accidentally remove the “limiter” that was only allowing Ashley Too to operate at 4 per cent of its capacity. Her fate goes from bad to worse, and the episode – or “film”, as co-producer Annabel Jones calls them – starts to feel very bleak indeed.Until, quite suddenly, the tone changes. When she starts to rail against the narrow confines of her pop persona – something the real Cyrus has been doing since her tween Disney days – things go very wrong for her. “You can do anything if you put your mind to it.” “You’re a special person.” Rachel is quickly, worryingly, enamoured.The real Ashley, though, is growing sick of the bright, shiny front she’s been trained to put on by her domineering aunt Catherine (Susan Pourfar). He obliges, much to her sister’s annoyance, and Rachel is buoyed by the earnest platitudes her new friend doles out, seemingly directly to her. The song, to be fair, is pretty darn catchy.When Rachel sees an advert for an Ashley O doll, “Ashley Too, based on Ashley O’s actual personality”, she begs her father to buy her one for her 15th birthday. Rachel is shy and unpopular, spending her lunch periods sitting alone listening obsessively to Ashley O – “Hey, I’m a ho, I’m on a roll, riding so high, achieving my goals”. Jack is sullen, has a septum piercing, listens to Pixies and rolls her eyes a lot. It’s a fun idea – cast globally famous pop star Miley Cyrus as a globally famous pop star, Ashley O, whose entire consciousness is copied over into sellable robot dolls – but it unfolds, at first, at a strangely plodding pace, failing to make good use of its concept and its stars.Rachel (Angourie Rice) and Jack (Madison Davenport) are two oft-warring teenage sisters whose father is (for some reason?) a high-tech rodent controller, and whose mother is dead. “I’m like: ‘For f***’s sake, what’s wrong with you?’”So he won’t thank me for saying that the first half of "Rachel, Jack and Ashley Too", the second of this three-episode fifth season, is a little po-faced. “Or when people say, ‘I want to do something like that, but with a sense of humour,’” said the creator of the sci-fi anthology series in a recent interview. Charlie Brooker doesn’t like it when folk accuse Black Mirror of taking itself too seriously.
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